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Coming Soon:

The following books by Robert Paul Wolff are available on Amazon.com as e-books: KANT'S THEORY OF MENTAL ACTIVITY, THE AUTONOMY OF REASON, UNDERSTANDING MARX, UNDERSTANDING RAWLS, THE POVERTY OF LIBERALISM, A LIFE IN THE ACADEMY, MONEYBAGS MUST BE SO LUCKY, AN INTRODUCTION TO THE USE OF FORMAL METHODS IN POLITICAL PHILOSOPHY.
Now Available: Volumes I, II, III, and IV of the Collected Published and Unpublished Papers.

NOW AVAILABLE ON YOUTUBE: LECTURES ON KANT'S CRITIQUE OF PURE REASON. To view the lectures, go to YouTube and search for "Robert Paul Wolff Kant." There they will be.

NOW AVAILABLE ON YOUTUBE: LECTURES ON THE THOUGHT OF KARL MARX. To view the lectures, go to YouTube and search for Robert Paul Wolff Marx."





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Friday, December 14, 2012

SUCCESS HAS CROWNED MY EFFORTS

Well, I cooked the skate wing tonight, and it was a success!  Even though the skate at the market looked as though it just wanted to jump into my boat and bite me, I brought the skate wing home, and conquered it.  The recipe, for that handful who actually want to know, is very easy.

The hardest thing is taking the skin off the side that has not been skinned by the fishmonger.  I think I need one of those super sharp knives that just slips under the skin and peels it off.  Anyway, after fifteen minutes of effort with Susie helping, I got it off.  Then:

1.  Salt the skate wing and dredge it in flour.

2.  Melt a big gunk of butter in a hot pan [the recipe says two tablespoons, but I always exaggerate] and fry the skate wings on both sides for maybe three or four minutes a side.  Then take them out of the pan, pop them in a warming oven on a plate, and add even more butter to the frying pan they came out of, along with "half a cup of white wine" [i.e., maybe a cup].  Cook the butter and wine, getting up the tasty bits with a spatula, until the alcohol burns off and the butter is brown.  Pour it over the skate, and serve. 

Dead easy, assuming your local supermarket carries skate wings.

I served it with thinly sliced sauteed zucchini, but you can serve it with anything.

What is it like?  A meaty, mild white fish, very pleasant, and of course wonderful with all that butter.

Thursday, December 13, 2012

THE HOBBIT

Susie and I just got back from Place de l'Odeon, where we saw the new movie, THE HOBBIT, in the original version [which is to say, in English, and also in Elvish and Orkish and ancient Dwarvish with French subtitles -- it was a trifle odd.]   I loved it, but that is not the occasion for this blog post.  On the way walking home, I bethought myself of the brilliant unpublished essay by Charles Mills on THE LORD OF THE RINGS.  Mills is, in my opinion, one of the really important political theorists of our time.  His first book, THE RACIAL CONTRACT, is one of the two or three most important pieces of political theory of the past century -- way more important, for example, than Bob Nozick's delightful book, ANARCHY, STATE, AND UTOPIA.

As readers of my autobiography may recall, I was called on to evaluate Mills when he came up for tenure at Illinois Chicago Circle [he now has a chair at Northwestern.]  The main piece of writing they sent me was the manuscript of what became THE RACIAL CONTRACT, but included in the packet was the essay on Tolkein, which I just raved about.  For my sins, as people used to say, I got to write a little plug for the back cover of Mills' book.  I was honored.

THE HOBBIT is apparently the first of a trilogy to be made from Tolkein's slender book.  I hope I live long enough to see all three.

CULINARY ADVENTURES

Ever since Susie and I took the plunge and bought our Paris apartment eight years ago, I have been the cook.  Over the years, I have developed a small repertory of dishes of which I am inordinately proud, as only a mediocre amateur chef can be -- grilled quail, hazelnut encrusted rabbit, five spices duck legs, coquilles St. Jacques, dorade royale [a lovely white fish], tuna, swordfish, paupiettes provencale [a cheat, these, inasmuch as they are delicious little concoctions of turkey, bacon, and farci already prepared by the local butcher].  Today, urged on by Susie, who in the day was truly a great cordon bleu cook, I bought skate at the market [or "raie,"as it is called in France.]  Skate is a really scary looking thing, lying there at the fishmonger's stall as though it was ready to fly into your boat and bite you.  I found a fairly simple recipe online, and tomorrow night I shall try it.  Who knows, if this works, I might even try my hand at escargots!

Tuesday, December 11, 2012

AM I MISSING SOMETHING?

The resignation from the Senate of Jim DeMint has created an opportunity for Nicki Haley, Governor of the deep red state of South Carolina, to appoint a replacement for the two years until 2014, when a special election will be held to fill the seat for the remaining two years until it is normally up for election in 2016.   Needless to say, only certifiably far right wing Republicans need apply.  A number of quick polls, testing the support for five or six of the usual suspects, has revealed that the person with the most support is television personality Stephen Colbert.

Now, I admit that I am a naive boob from the clueless Northeast, recently transplanted to the equally clueless Research Triangle area of North Carolina, but isn't Colbert a liberal whose comic TV shtick is to masquerade as a batshit crazy right winger?  Have I been seeing comedy all these years when in fact it was just honest nuttiness?

Monday, December 10, 2012

CIRCUMNAVIGATING THE FIFTH

This morning, emboldened by a good night's sleep, I decided to set out on a major new route for my morning constitutional.  Instead of walking past Notre Dame along the quais to the National Assembly and then back home via Boulevard St.Germain, a walk of about six kilometers, I decided to try my hand [or my feet] at walking all the way around the fifth arrondissement where our apartment is located.  The fifth is pentagonal, roughly in the shape of a single-peaked house lying on its side.  Our street juts south from one of the long sides of the pentagon.  I started there, and walked east along the quais to the end of the Jardin des Plantes.  A 60 degree right angle turn on rue de l'Hopital followed by another 60 degree right turn on Boulevard Saint Marcel brought me to the southern edge of the arrondissement, Boulevard du Port Royal.  A long, long walk along that boulevard ended at a point where Boulevard St. Michel intersects, heading north.  That takes you back to Boulevard St. Germain, and then home.  This morning, when I got to the northeast corner of the Jardin du Luxembourg, I chose instead to turn right on rue Soufflot up to the Pantheon and then down rue des Carmes to our own Place Maubert.  All in all, a little less than four miles, which took me just an hour.  A side trip to pick up two bauguettes Keyser and I was home at about 8:40 a.m.

This morning's route was strikingly different from my usual walk, which goes by some of the classic spots of old Paris -- Notre Dame, the Louvre, the French Academy, the Musee d'Orsay, Brasserie Lippe, Cafe des Flores, and Les Deux Magots.  This morning I saw modern-day Paris waking up -- scores of people pouring out of Metro stations, hurrying to work, parents taking their children to school, the large Val de Grace hospital complex coming alive, and masses of traffic clogging the streets.

It was all something of an adventure;  I was not sure how it would go, or whether my estimate of the distance from my map wouldturn out to be accurate.  But all in all, I think I prefer the old Paris route.

Sunday, December 9, 2012

A QUESTION FOR A SUNDAY MORNING

In this post, I am going to pose something akin to what legal theorists call a hypothetical.  I ask you to accept, hypothetically, a set of facts, so that we may discuss a question of policy without at the same time debating the facts of the case.  I am aware that from certain epistemological perspectives, this distinction is impossible to make, and we can discuss that as we go forward.

Assume, contrary to reality, that America is pretty much domestically what you would like it to be.  For me, that means assuming that America is a secular democracy with a socialist economy, a very flat distribution of wealth and income, and an operative commitment to policies addressing global warming, an America in which the Yankees are permanently mired in last place [oh well, you can leave that last one out if you insist.]  Your ideal America may differ from mine.  If you decide to join the conversation, try to sketch your own ideal America as part of your comment so that the rest of us understand where you are coming from.

In this radically counterfactual case, what should the foreign and military policy of such an America be?

It is no great effort in the real world to criticize every aspect of America’s military and foreign policy.  The real America is an imperial hegemon whose military budget virtually equals that of the rest of the world and whose actions over the past sixty years have again and again supported dictators and tyrants and undermined or actively deposed and defeated progressive forces on every continent except Antarctica.  Let us stipulate that, as they say in the trial courts.

But what should the policies of an ideal America be?  There are two obvious polar alternative responses to this question.  The first response is:  America should maintain its military dominance of the world, but use its power to advance democracy and socialism rather than autocracy and capitalism.  America should support the Fidel Castros and Mohammed Mosaddeghs and Daniel Ortegas of this world rather than doing its best to overthrow or kill them.  America should use its wealth and power to support the Palestinian cause.  And so forth and so on.

The second response is:  American should withdraw all of its troops from foreign soil, should reduce its military budget to the minimum necessary to defend itself [from Canada and Mexico, presumably], and should embrace Thomas Jefferson’s call for “peace, commerce, and honest friendship with all nations, entangling alliances with none.”

Each of these alternatives has troubling consequences that it is difficult to disentangle from the policy.  A militarily dominant America will maintain an enormous military establishment whose existence will shape its domestic politics regardless of how well-intentioned its architects may be.  Every time such an America projects its power abroad for some indisputably progressive cause, there will be innocent men, women, and children who are killed unintentionally.  [It is not only military actions in support of dictators that produce “collateral damage.”]  The easy availability of those military options will have a powerfully corrupting effect on those who exercise the use of the armed forces, even though such exercise is, or is supposed to be, guided by impeccably progressive principles.  But if, let us say,  such an America wishes at a moment’s notice to be able to impose a no-fly zone on Libya during a popular uprising against Khadafy, it will need to maintain aircraft carriers and squadrons of fighters and spy satellites and special ops forces on a permanent footing.

The alternative is to adopt a non-interventionist policy with a military only large enough to deal with genuine threats to the security of America’s borders.  But such an America will have to stand idly by when the forces of revolutionary progress are being pounded into the ground by tyrants. It will be unable to move swiftly and effectively to stop genocidal slaughter by religious fanatics.  Such an America will not be the immediate cause of retrogressive tragedies nor will it prop up dynasts and dictators, but it will have to be content merely to watch the slave labor of children and the bondage of women abroad.

So, what should the foreign and military stance of an ideal America be?  I confess that I am genuinely unsure.

Saturday, December 8, 2012

THE PREROGATIVES OF THE GODS

While Susie was out having her hair done, I set about making a simple dinner of salmon steaks, courgettes, and mushrooms.  To liven the apartment, I put on the great recording of Handel's Semele with Kathleen Battle singing the title role.  I do not know how many of you are familiar with Battle.  She is a coloratura soprano who, in the day, had a divine voice -- supple, exquisite, transcendent.  Her recording with Wynton Marsalis of arias for trumpet and soprano is one of the greatest CD's I have ever heard.  Early in Semele, Battle sings the aria "The morning lark to mine accords his note." As her voice filled the tiny apartment, my heart soared and tears filled my eyes.  When I have not listened to beautiful music for a while, I forget how powerfully it moves me.

Battle is a famously difficult artist. She was actually banished from the Met for "unprofessional behavior," the description of which makes it clear that she was the classic diva, imperious, selfish, egocentric, demanding, impossible. So the Met clearly had every bureaucratic right to banish her.  The only problem is that she sang better than anyone else they could find.  Now the Met exists for one and only one purpose: to make beautiful music.  If it fails to do that, it has no right to exist and to drain from the public purse the enormous resources that it takes to put great opera on these days.  I have always thought they should have put up with her outrageous behavior -- and it apparently was really outrageous -- simply for the privilege of putting her on stage to sing.

When I am in the presence of great music, I lose all sense of the quotidien world.  On one occasion, at Tanglewood, I heard Yo Yo Ma play several of the Bach Suites for unaccompanied cello.  He did not seem to be so much playing them as listening to himself play them.  He had long since so completely mastered the impossibly difficult demands of the music that now he simply existed in the same space and time with it.  He was actually accompanying a ballet troupe that was dancing to the music, but I could not bear to be distracted by their dancing [which was, to  be sure, quite expert], so I positioned myself behind the person sitting in front of me in such a way that I could see Yo Yo Ma but not the dancers.  The music he was playing was almost more than I could bear all by itself.

There is a glimmer of the same unearthly transcendence in that lovely old movie, The Hustler, in the scene in which Paul Newman prowls like a great cat around the pool table, destroying Minnesota Fats [played wonderfully by Jackie Gleason].  "I can't lose," he says to his manager, George C. Scott, and you know that something is moving within him that makes that true.

I am an atheist, as my blog site announces,so perhaps this is as close as I can ever approach to the experience of the divine.