For my second Golden Oldie, I have chosen something quite different – a little guide I wrote 30 years ago to help students who had been assigned the task of writing a paper in a philosophy course. As you will see, after laying out some very simple general rules for constructing such a paper, I chose an actual paper that had been submitted to one of my courses and proceeded to rewrite it following the rules I had laid down. Everything here is quite elementary, but I think it might be useful even now for students attempting to write philosophy papers (or philosophy books, for that matter, but that is another matter.)
The whole thing is a bit too long for one post so I have broken it into two parts.
Introduction
Most
of you will be called on to write formal essays defending a thesis or
presenting an argument as part of the written work for your courses, and this
requirement may well have
you stumped. Even though you have read the assignments in the course, and have
participated in a number of class discussions, you may have no idea at all how
to write a paper that presents an argument. No doubt, you wrote papers in High
School for English courses, perhaps also for Social Studies courses, even for
Science courses. But arguing for something is quite different. Where do you
start? What sort of library research should you do, if any? Should you put down
your own ideas, those of your Professor, ideas you have found in your course
reading? Are you expected to come up with your own arguments?
This
Manual is designed to answer these questions. I will give you a simple, clear,
almost fool-proof way of writing a satisfactory paper; I will give you some
tips and hints and warnings that may help you to avoid the most common problems
in writing papers; and I will take you through a careful critique and analysis
of a real course paper written just recently by one of my students at the
University of Massachusetts [who shall remain anonymous, of course!].
If
you read this Manual carefully, and follow its guidelines when writing papers
for your courses, I am absolutely certain that you will write good papers.
I.
A Simple, Fool-Proof Method For Writing Papers
A
paper is a defense of a thesis, in which the thesis is explained and
analyzed, arguments are given in support of the thesis, possible objections
to the thesis are stated and examined, and responses are given to
the objections. A paper thus has five parts:
1. The statement of the thesis.
2. The analysis and explanation of the
thesis.
3. The arguments in support of the
thesis.
4. The examination of objections to the
thesis.
5. The response to the objections.
The
simplest and most fool-proof way to write a paper is to organize it in
precisely this order: Thesis, Analysis of Thesis, Arguments for Thesis,
Objections to Thesis, and Response to Objections. It isn't necessary to stick
to this order, of course, and after you get good at writing papers, you may
want to experiment with other systems of organization. But if you have never
written a paper before, and you aren't really quite sure what you are doing, it
might be a good idea to stick to this structure. It can't lose!
Let's
take a close look at each of these five elements in turn.
1.
The
Thesis
A
paper is a defense of
a thesis, so the first step is to get clear what a thesis is. A thesis
is a statement that makes some clear, definite assertion about the subject
under discussion. For example, if the topic of your paper, the subject under
discussion, is the morality of abortion, here are some of the many theses
you might choose to defend:
|-
Abortion is morally wrong under all circumstances.
|- A
woman has an absolute right to decide whether to have an abortion.
|-
Abortion is morally right only to save the life of the mother.
Each of these is a clear,
definite statement that takes a position on the morality of abortion, a
position that the rest of the paper will attempt to defend.
Let's
try another example. Suppose the subject under discussion is the existence
of a Supreme Being. Among the theses you might choose to defend are these:
|-
There is no God but Allah.
|-
It is logically impossible for there to be a Supreme being.
|-
Human beings are incapable of determining whether there is a Supreme Being.
Now let's look at some
examples of things that look like theses, but aren't:
The
Scientific Status of Astrology.
Abortion,
Pro and Con.
Why
I Believe in God.
These
aren't theses because they don't assert anything. All three of
these are what we might call topics. You can certainly write a paper
about one of these topics, but you must first choose a thesis about the
topic, a thesis that you will defend in the paper. By the way, watch out
especially for fake theses like the third one ["Why I believe in
God"]. A paper is not a personal report of how you feel or what you
believe. It is an argument for a thesis.
Those
of you who took part in formal Debate Team competitions in High School may
think that all of this looks very much like a debate. You are absolutely right.
Writing a paper is very much like debating, in more ways than one.
One
more word about the thesis of your paper. Learning to write is a lot like
learning to play basketball or tennis.
You can't learn if just you stand on the sidelines and watch other people. So
writing a paper is a way of getting in some writing practice. When you pick the
thesis of your paper, don't think that you must pick something you deeply
believe, something you would be willing to die for! Just choose a clear,
simple, straightforward thesis that you think you can do a good job of
defending. No one will be mad at you if
you defend the other side of the question a week later.
But
whatever you do, don't pick a wishy-washy thesis that hedges your bets, like
"There is much to be said on both sides of the abortion question," or
"There are good arguments for and against the existence of God." Take
a stand, plant your feet squarely on the ground, and argue for your thesis as
well as you can.
Since
we have already used the example of the morality of abortion, let's continue to
use it. For the remainder of this Manual, our thesis will be:
|-
Abortion is morally wrong under all circumstances whatsoever.
2.
The
Analysis and Explanation of the Thesis
The
first step in the defense of a thesis is to explain what you mean by it. Since
we are using as an example the thesis "Abortion is morally wrong under all
circumstances whatsoever," we must state exactly what we mean by the term
"abortion", by the phrase "morally wrong," and by the
qualifying clause "in all circumstances whatsoever." This may seem
like a trivial exercise to you, but watch out! When you write a paper, a lot
can get loaded into an innocent-looking definition.
For
example, we will want to make it clear that by "morally wrong" we
mean something quite different from "against the law" or
"legally wrong." It is one thing to argue that abortion, suitably
defined, violates some state or federal law in the United States or elsewhere.
It is quite another thing to argue that abortion is morally wrong, that it
violates some principle that all persons ought to abide by. If we are arguing
about the law, we shall have to cite criminal codes, judicial decisions,
Supreme Court opinions, or law books. But if we are arguing about what is right
and wrong, then we shall have to appeal to some other sorts of considerations -
unless we want to claim that "morally wrong" and "legally
wrong" are one and the same, which would itself be a very powerful, highly
debatable claim.
How
shall we understand ''in any circumstances?" Are we claiming that abortion
is wrong even in cases in which the pregnancy resulted from incest or rape? Do
we mean that abortion is wrong even if the foetus cannot possibly survive, and
the mother will die without the abortion? Are we claiming that abortion is
wrong even if pre-natal testing reveals that the foetus has a fatal congenital
disease and cannot survive for more than a few hours after birth?
Notice:
at this stage we are not arguing, we are just explaining what we mean by
the thesis. And since it is our thesis, we can interpret it anyway we wish. But
how we interpret the thesis will shape the rest of the paper, for it will
determine what sorts of arguments we give and what sorts of objections we must
consider. For example, if we interpret "in any circumstances" to mean
"even if the pregnancy resulted from rape" then we will have to
consider the objection that a woman should not be required against her will to
risk her life. But if we exclude pregnancies resulting from rape, then that
isn't an objection against our position, so we don't have to consider it in
this paper.
You
can begin to see how the paper will be shaped and determined by how we
interpret our thesis. That is why explaining and analyzing the thesis is such
an important step, one we must take before moving on to the arguments.
For
purposes of our discussion, let us agree to interpret our thesis in the
following way [remember, this is just one of countless possible interpretations
- not in any sense the right interpretation, just the interpretation we
have chosen for in order to write this paper]:
"Abortion
is morally wrong under all circumstances whatsoever" means
"Terminating a human pregnancy at any stage before birth, so long as the
foetus is alive, violates the objective and universal principles of
.Judeo-Christian morality, and is therefore wrong without exception for rape,
incest, danger to the life of the mother, or any other circumstance, including
even a circumstance in which the abortion might save the lives of many other
innocent people."
Notice
that I have interpreted "morally wrong" to mean "contrary to the
objective and universal principles of Judeo-Christian morality." Needless
to say, that is not the only way "morally wrong" can be interpreted.
Let me repeat: You can choose any thesis you wish, and interpret it in any
plausible manner you wish, so long as you make it clear to your reader what you
are doing.
Before
moving on to the main body of your paper, which is the Argument for the Thesis,
review what you have written. Make sure that you have stated a genuine thesis
[not just a topic], and that you have explained clearly what that thesis means.
Here, as always, you must try very hard to put yourself into the mind of your
reader, and ask whether he or she will understand exactly what your thesis
means. Reading what you have written as your reader will read it is actually
the hardest part of all writing. You may think you know what you have in
mind, but unless you put it down on paper clearly, precisely, and accurately,
your reader won't have a clue. One way to check on yourself is to give what you
have written to a friend and ask him or her to tell you what he or she thinks
you have said. Don't give any hints, and don't argue. If your friend doesn't
understand what you have written in the same way you understand it, then there
is probably something wrong with what you have written. [Choose an intelligent
friend!]
3.
The
Arguments in Support of the Thesis
We
have come to the heart of the paper - the arguments for the thesis. This is
where you show your stuff. You have got to come up with arguments that are
designed to persuade your reader that your thesis is true. What is an argument?
To put it as simply as possible, an argument for a thesis is a reason for
believing that the thesis is true. There are many different sorts of reasons
you can give in support of a thesis. In the next few paragraphs, we will take a
brief look at some of the most important. Just remember: when you are putting
forward an argument in support of your thesis, ask yourself, "If I didn't
already believe my thesis, would this reason convince me that the thesis is
true? Would it at least make me more inclined to believe that it is true? Would
it tend to convince a reasonable reader who is open-minded enough so that he or
she is willing to listen to reasons?" If the answer is yes, then you have
your hands on a genuine argument. If the answer is no, then leave it out of the
paper, and look for a better argument.
Let's
take a look at some very simple examples. Defending a thesis may strike you as
pretty difficult, but like many difficult things, it is made up of simple
parts. Don't try to be too fancy! Just look for straightforward arguments that
tend to support your thesis.
If
you are trying to show that abortion is morally wrong, you might begin by
arguing that abortion is the taking of an innocent life, and the taking of an
innocent life is morally wrong. This is an example of what is perhaps the most
widely used form of argument - what we can call instantiation.
"Instantiation"
means "Giving an instance of." In this case, we have appealed to the
general rule:
|-
Taking an innocent life is morally wrong.
Then
we have argued that abortion is an instance of this general rule - it is
the taking of an innocent life. If we spell out our argument completely, it
looks like this:
|-
Taking an innocent life is morally wrong.
|-
Abortion is the taking of an innocent life.
Therefore,
abortion is morally wrong.
This
argument, in turn, is an
instance of a very general form of argument that looks like this:
|-
All A are B [where A = Acts
of taking an innocent life, and B = Morally wrong acts]
|- C
is an A [where C = Abortion, and A
again = Acts of taking an innocent life.]
Therefore
C is B [i.e., Abortion is a morally wrong act.]
The
point is that if C is an A, and if all A's are Bs, then C must
be a B. Arguments of this sort are sometimes called syllogisms. In
the Middle Ages, philosophers spent a great deal of time analyzing such
arguments in order to figure out which kinds were good arguments and which
kinds were not.
Instantiation,
or showing that the
matter under discussion is an instance of a general rule, is a technique of
argument that can be used in a very wide variety of circumstances. Notice that
if it is to be convincing to your reader, then your reader must already be
persuaded that the taking of an innocent life is morally wrong. Otherwise, even
though your reader agrees that abortion is the taking of an innocent life, he
or she won't be led to the conclusion that it is morally wrong.
A second form of
argument, which in a sense is the reverse of Instantiation, is Generalization.
Suppose you are trying to persuade your reader that the taking of an
innocent life is morally wrong, as a first step toward springing the above
argument, and thereby proving that abortion is morally wrong. You might proceed
like this [imagine yourself actually talking to your reader]:
|-
Will you agree that shooting down someone walking along the street is morally
wrong? Yes.
|-
Will you agree that bombing civilians who happen to live near a war zone is
morally wrong? Yes.
|-
Will you agree that smothering a baby in its crib is morally wrong? yes.
|-
Can you see that what all these cases have in common, what makes them all
morally wrong, is the fact that they are cases of taking an innocent life
[crucial step here - you must get your reader to agree to this].
Well
[now your trap snaps shut on your reader]. if what makes these three acts
morally wrong is the fact that they are cases of taking an innocent life, if
that is why they are wrong, then it follows by simple parity of
reasoning that any act which is the taking of an innocent life must also
be wrong. In other words, Taking an innocent life is morally wrong.
The
trick here is figuring out just what it is that all three cases have in
common, in virtue of which they are wrong. If you fix on some other
characteristic, which isn't, so to speak, the wrong-making characteristic,
then you won't come up with a defensible generalization. For example, the
person gunned down in the street, the civilians near the war zone, and the baby
in the crib might all be Americans, or male, or Caucasian, or rich, or
they might all have the same astrological sign. But none of those things is
what makes the killing of them morally wrong. What makes the killing of them
morally wrong is the fact that they are innocent - i.e., they haven't
done anything to warrant being killed, they just happened to be there. If the
person gunned down in the street isn't innocent, if she is a serial
murderer on her way to commit yet another heinous crime, then maybe it wouldn't
be wrong to kill her, for killing her would not be the taking of an innocent
life.
So,
we now have two kinds of arguments, which you can use singly or together, in
your attempt to convince your reader that your thesis is true: Instantiation
and Generalization.
A
third form of argument, especially useful in replying to an opponent's
objections, is the Counterexample. A counterexample is a particular case
- an instantiation - designed to show that an opponent's generalization is
wrong. Suppose, for example, that your opponent, trying to show that abortion
is morally right, argues that a pregnant woman has a right to have an abortion,
because having an abortion is choosing to do something with your own body, and
[here comes the generalization] Persons have an absolute right to do with
their own bodies whatever they choose. You can try to come up with a
counterexample to this generalization that will show that it is not in
fact a true universal principle.
For
example, you might point out that using your hands to strangle someone
you don't like is an example of doing with your body [your hands] whatever you
choose, and yet your opponent surely will not agree that you have an absolute
right to strangle someone you don't like. Now, your opponent may, of course,
just reply, with an absolutely straight face, "Of course you have a right
to strangle someone you don't like," but that is not likely!
More
probably, your opponent will point out that this is an example [strangling
someone] which involves inflicting injury on someone else in addition to doing
what you choose with your own body, and that makes it different from abortion.
In this case, your opponent is appealing to a slightly different principle,
namely, Persons have an absolute right to do with their own bodies whatever
they choose, so long as they do not injure others.
Now
you can respond by pointing out that abortion does involve injury to
another person, namely to the foetus. This is an example of yet a fourth
technique of argument, which we can call Counter-Instantiation - showing that a
case is not an instance of the generalization your opponent has cited, but is
in fact an instance of a different generalization. Your opponent can now
respond that a foetus is not a person, and hence that abortion doesn't fall
under the generalization you have just invoked.
Notice
that this last move - arguing that the foetus isn't a person - involves two
more kinds of arguments that play a role in philosophical debates: Citing
facts, and drawing conceptual distinctions. When your opponent says the foetus
is not a person, he or she may be calling attention to facts [the foetus is not
biologically fully developed, it cannot live independently of the mother's
body, etc.] which tend to show that it is in fact different from the things we
usually call persons. This is an example of citing facts. In addition, your
opponent may be pointing out that the concept person, which plays a
central role in the generalization you have invoked, cannot properly be applied
to a foetus. This is an example of drawing a conceptual distinction.
Well,
you are beginning to get the idea. In this central part of your paper, your job
is to produce arguments in support of your thesis, using Instantiation,
Generalization, Counterexample, Counter-Instantiation, Citing of Facts, Drawing
Conceptual Distinctions, and any of the other forms of argument you can find.
The success of your paper, to a very considerable extent, will depend on how
well you can think up arguments in support of your thesis.
There
is no set of rules that will produce good arguments. This is a skill you
have to learn through practice. Just keep one idea clearly in mind: what makes
an argument a good one is its ability to persuade an intelligent, reasonable
reader or listener who doesn't already agree with your thesis. If you test
arguments against that standard, you will be able to judge whether they are
good.
4.
The
Examination of Objections to the Thesis
This is the part of your paper in which you put yourself into an
imaginary opponent's shoes and try to figure out what objections he or she might raise to your thesis. The
techniques you use in this exercise are precisely the ones we have just been
looking at in the previous section: i.e., Instantiation, Generalization,
Counter-Example, Counter-Instantiation, and so forth. The trick-and it is a very
difficult trick-is to think up the strongest objections you can to your
thesis. Don't just put up some cream-puff objections that anyone can knock
over!
This
is hard to do because by the time you have written the third part of the paper
- the arguments for the thesis - you will probably have convinced yourself that
you are right. Try to think of this part of the paper as damage control, or
setting up a defense perimeter, or taking out insurance. If you can come up
with some really strong objections to your thesis, and still succeed in
defending the thesis, then you will probably persuade your reader, because you
will have thought of the objections that the reader has in mind as he or she
reads your paper. There is nothing that wins a reader over more completely than
to have the author say, "Now you may be thinking to yourself, but what
about this, and this, and this" when that is just what the reader is
thinking, and then having the author come up with really plausible replies.
So,
play Devil's advocate for a bit, and think up the best objections you can to
your own thesis.
5.
The
Response to the Objections
And
finally, having thought up some dandy objections, answer them! Once again, you
are going to use the techniques of argument we discussed above [notice that
most of your paper - Parts 3, 4, and 5 - consists of arguments].
And
then you are done! You
have stated a thesis, analyzed and explained it, argued for it, considered
objections to it, and responded to objections. That is a paper
that presents an argument. Not so hard after all, is it?
Notice,
by the way, that this method tells you what to put into the paper, what to
leave out, what to do next, and when you are done. Should you cite a fact? Yes,
if it serves to strengthen your thesis or weaken your opponent's objection,
otherwise no. Should your paper have footnotes? Well, if you cite a fact, put
in a footnote stating the source of your knowledge of that fact [unless it is
so well-known a fact that any reader can be expected to know it. If you refer to
Washington, D.C. as the nation's capital, don't put in a footnote to the
Encyclopedia.]
How
do you know how long to make your paper? The simple answer is, just long enough
to state a thesis, explain it, defend it, and respond to objections to it. If
your Instructor assigns a paper of, say, three pages in length, then you must
choose a thesis that can be adequately explained and defended in three pages.
If the assignment is for a ten page paper, then choose a thesis that calls for
that much explanation and defense. Don't pad! Don't add paragraphs or pages
just to bulk up the paper so that it feels weighty. As Abraham Lincoln said
when someone asked him how long his legs were, "Just long enough to reach
the ground."
I
can't guarantee that you will get an A if you follow this method. That
depends on how well you
do at following it. But I am willing to bet that if you study this Manual
carefully and follow the five-step method intelligently, you won't fail! And I
guarantee it will help you to clarify your ideas, sharpen your arguments, and
thereby improve your writing.
II.
A
Few Tips, Hints, and Warnings
The
basic instructions for writing a good paper are now in your hands, but it might
be helpful for me to give you a few tips, hints, and warnings designed to help
you avoid some of the most common mistakes and problems.
1. Let me start with a piece of advice
that is not so much a tip or hint as it is the Prime Directive [as they say on
Star Trek].
Write
clear, grammatical, correctly spelled, proper English prose [unless you are writing Spanish, or
Hebrew, or Cambodian, or German, or some other natural language, in which case
write that language clearly, grammatically, correctly spelled, and
properly].
There
are two reasons why it is important for you to make sure that you use language
in a grammatically correct fashion. First of all, writing correctly is like
playing in tune on a musical instrument, or learning the rules of a sport. You
can't interpret a piece of music if you can't even play the notes properly, and
you can't play baseball if you don't even know that a batter gets three
strikes. Written language has rules just like music or baseball, and learning
them is the first step in writing well.
The
second reason why writing correct prose is so important is that until you can
write in a grammatically precise and correct fashion, you will not be able to
state a thesis for defense, or put together an argument in support of a thesis.
As we will see when we analyze an actual student paper in the next section,
incorrect grammar obscures an author's meaning. Indeed, if you aren't careful
to write clearly, you may fool yourself as well as your readers! You may not
know what you yourself mean by your thesis or your arguments, in which case you
won't be able to tell whether you have made a case for your thesis at all.
2. Don't wander from the basic outline
when writing your paper, and don't mix together materials that belong
indifferent parts of the paper. Once you have stated your thesis, start to
explain and analyze it. Leave out anything that doesn't help to explain or
analyze your thesis. You may be eager to get to your argument, because you may
have a really good idea you want to try out. Wait for it! Once you get to the
argument stage, don't drift off into expressing opinions or telling stories
that don't advance the argument. Make sure both you and the reader know, at
every stage, what you are doing, where you are going, and how what you are
saying connects up with your central task of defending your thesis.
3. Try to use language as precisely as
possible. Vague words like "stuff" or "thing" are evidence
of a sloppy mind. Your prose should be proper to the subject - not forced or
stilted, not full of words you wouldn't ever use except in a college paper, but
nevertheless carefully chosen. Think how inappropriate it would be for Dan
Rather or Ted Koppel to start the Evening News by saying, "Hey, like the
guys in Washington did, like, a lot of weird stuff today, ya know?"
4. Asking a question without answering it
is not an appropriate way to give an argument. For example: "What
would happen if every woman who wanted an abortion got one?" is not an
argument. "If every woman who wanted an abortion got one, millions of
innocent lives would be lost" is an argument, or rather it is part
of an argument. The whole argument might look like this:
|-
It is wrong to cause the loss of millions of innocent lives.
|-
If every woman who wanted an abortion got one, millions of innocent lives would
be lost.
Therefore,
it would be wrong for every woman who wants one to get an abortion.
Similarly,
"What right does the state have to tel1 a woman she can't have an
abortion?" isn't an argument. But ''The state has no right to tell a woman
she cannot get an abortion" is an argument. And so forth.
5. It is perfectly all right to use an
argument from a lecture you have heard or a book you have read. Arguments are a
little like arithmetical formulae. I don't know who first said, "Two plus
two equals four," but it is there for anyone to use. However, when you
adopt an argument as your own, you take responsibility for it. By including it
in your paper, you are saying that you believe it is a good argument. Even if
you footnote it, indicating where you first encountered it, it is still on your
neck! So use any arguments you like, so long as you are ready to stand behind
them. And remember: an argument either stands on its own feet, or it doesn't
stand at all. You don't make a bad argument better by pointing out in a
footnote that a famous author used it.
8 comments:
This really brings back memories! I used to try to make pretty much the same points in similar ways, though with considerably less clarity and more bad jokes. I can't resist making a couple of comments: 1. The small majority of the students taking a two-semester composition class would grasp and practice these points by the end of the first semester, and all but a small percentage were competent in this by half-way through the second semester. But one thing I could hardly ever get any student to accept and practice was not mentioned in the professor's post: that at #5 in one's response to objections, one ought to try to learn from the objections and incorporate them into one's own account. Instead, objections were always treated as if wholly mistaken or misguided and so rejected. I have occasionally thought of this when I read comments on this blog. 2. When I taught composition at UC Berkeley in the early-mid 1990s, the most common topics for student papers were the old warhorses about the morality or immorality of abortion and whether marijuana use should be legalized. When I returned to teach a couple of such courses around, not a single student out of 37 chose those topics. Probably the most common topic was why we should support Black Lives Matter. Aside from BLM, the topics were strikingly individualized; examples included 'Thesis: China's one-child policy is wise'; 'Thesis: the Golden State Warriors are the Greatest Basketball Team of All Time'; and 'Thesis: a Hot Dog is a Sandwich.'
I see that I dropped something in my previous comment: it should read 'When I returned to teach such courses around 2017'.
RPW,
Wonderful. I wish I had read that in freshman year of high school.
John Rapko: I have occasionally thought of this when I read comments on this blog.
LOL
John Rapko
I assume that this "pick a thesis and argue for it" assignment was only a small part of the (required, presumably) composition course. Needless to say, often students will have to, in effect, make an argument or arguments in a paper but only in certain contexts will they be faced with a "pick a thesis" style assignment. Moreover, not every good, well-organized paper has to conform to this kind of template. My own experience is that I don't think I ever had a "pick a thesis" assignment in h.s., college or grad school. (N.b. I only took one course in college that was formally labeled a philosophy course and I don't think it had a paper requirement, oddly enough).
We had a "pick a thesis" paper in freshman composition. I argued in favor of unilateral nuclear disarmament, which earned me a D. My professor, a would-be novelist, who I discovered years later through Google, became a fairly successful writer, had the odd policy of either giving me a D or an A+ on my assignments. I don't know if he did that with other students.
LFC--
Indeed, the strict assignment of a short 'pick a thesis' paper was primarily for the first half of the first semester. Such assignments became optional as the semester progressed; I would encourage the weaker writers to stick with that for however long it took them to master it, and in the second half of the first semester I would encourage the stronger writers to take on more complex assignments. Here's a second-half of the first semester assignment that I used the last time I taught the class. First we read aloud and discuss for about 3 hours Wallace Stevens's '13 Ways of Looking at a Blackbird' and Federico García Lorca's 'The Little Mute Boy (El niño mudo)'. A weaker writer could then, say, choose three or so parts of the Stevens poem, argue that X was a unifying theme, and show that interpreting the poem in light of X is more illuminating than interpreting it in light of theme y. A more advanced writer might consider the theme/motifs/images of sound, silence, and/or voice, and how they are similarly and differently used by Stevens and Lorca, and why the authors invoked animals with regard to that theme. What I would try to stress as the semester progressed was what I called 'the play of evidence and counter-evidence', and using that to build up complexity and depth in writing, and not so much the thesis as such. The second semester (which I didn't teach when I did it recently; I quit after one semester because I found the grading too time-consuming, and was constantly interrupting myself with fantasies about quitting teaching and living under a bridge) was primarily devoted to writing a 10-12 page research paper. But I still think that the 'pick a thesis' paper is a good way to get going, and (like other teachers I know) I felt that teaching it a few times made me a better writer.
I took freshman composition, except it wasn't called that exactly. No "pick a thesis" paper, no template handouts. Different sections read different sorts of material (literature, social science, history, nat sci etc.). I chose the focus on literature, for some reason, even though I had no intention of being an English major. Turned out to be a pretty good choice. (My teacher was a grad student writing a dissertation on George Eliot. I still remember his name.)
John R.
Thanks for the response. My instructor, as best I can recall, didn't give much advance direction but did write helpful comments. Perhaps a bit more direction in advance wouldn't have been out of place. I flattered myself that I already knew how to write and was only taking the course bc I had to, but of course even good writers can always improve.
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